Matt Promo, Matthew Solo - DJ for Hire in London
(also covering London, South East, International)

1992-6   Managed That Record Shop in London

Managed several DJs in London

First release on Nocturna Records

1996       Launched Aural Sex parties

Started DJing

1997       Launched promotions company Headz Quarterz Limited

DJ’d and promoted around the world

Recorded 2 mixes

1998       DJ’d and promoted around the world

1999       DJ’d and promoted around the world

                DJ’d at the Miami Winter Music Conference

                Produced 2 tracks

Recorded 1 mix

2000       DJ’d and promoted around the world

                Produced 4 tracks

Recorded 7 mixes

2001       Launched the Good Life parties

                Coordinated global promotions for Swear

DJ’d at the Swear fashion shows in Portugal

                DJ’d and promoted around the world

                Produced 9 tracks

                Recorded 9 mixes

2002       Established the 3D collective with Pedro G of Portugal and Spain's Enrique Soto.

                Completed his first album “Samurai”

                DJ’d and promoted around the world

                Produced 5 tracks

                Recorded 16 mixes

2003       Launched Battle of the Diamonds

                DJ’d and promoted around the world

                Moved to Australia

Produced 3 tracks

                Recorded 9 mixes

2004       Operations manager of Two Floors Up in Melbourne, Australia

                Launched The Drum Is God! parties

2005       Manager of The Bunker in Melbourne, Australia

                Launched the Pixelfree parties

                Manager of Tilt in Melbourne, Australia

                The final The Drum Is God! party

Launched www.mattpromo.com

                Started training for the Guinness World Record attempt

                Recorded 1 mix

2006       Broke the Guinness World Record for the Longest DJ (Club) Session Marathon 87 hours continuous DJing

                Longest live set on Kiss FM Melbourne 7.5 hours

                Joined Mindless Entertainment

                Director and host of the Dance Noise segment of Noise TV

                Produced 32 tracks

Produced music for Noise TV

Produced musical piece for Earthdance

                Produced new album

Remixed Mark Davis’ “Wicked Girl”

                Recorded 10 mixes including 4 hour mix for DI.FM

2007       Launched Decoded parties

                Launched Porno parties

Produced 11 tracks

                Recorded 3 mixes

                Left Australia and returned to London

                Commenced work on new album “Less Than Greater Than”

2008       Residency at Cant Stop Wont Stop

Launch of Decoded in London

Recorded 5 mixes

2009       Residency at Cant Sop Wont Stop

                Produced music for Marocaine Caftans Fashion Show

                Launch of Spangled Love Monkey

                2 remix projects confirmed

Produced 3 tracks

                Recorded 9 mixes

2010       Resident at Spangled Love Monkey

Resident at Pure Party Pleasure

Recorded 6 mixes

My musical style encompasses a broad spectrum of house, including cutting edge Minimal, Prog and Tech, to the sublime jazzy sounds of Europe and the US. Funky uplifting club House, Dirty house and tribal.

I play long mixes riding the eq’s to blend the tracks seamlessly or I chop it up using the slide volumes and cross-fader. It all depends on the event, the venue and of course the crowd.

CHART W/E 170710

01 ZOO BRAZIL - Late At Night

02 JOY MARQUEZ - Ungodlines (Rene Sandoval remix)

03 ANDREWBOY - Winettou Dogs

04 ETIENNE DE CRECY - Hope (Djedjotronic remix)

05 ANDREWBOY - Cant Stop

06 RAMON TAPIA - This Groove (Original mix)

07 CHRISTIAN MALLONI – Badaboom

08 PLEASUREKRAFT - Tarantula (iO remix)

09 CHRIS LATTNER - Chicago Woofer (Original mix)

10 POPOF – Blow Me Down

Please ensure all the equipment is of a professional standard, in full working order and positioned on a stable and secure base. 

I must have a monitor speaker within one meter of me that I can adjust the volume of and one that can be heard whilst the venue sound system is working.

I can get the equipment into working order prior to performing, but...

1) The system must not be in use at the time
2) I need to be told at the time of the booking
3) A charge may be incurred

Please note I have used the word “professional”  because if the equipment is of a “professional” standard it will sound and perform better. Please contact me if you need to discuss the equipment further.